How to Install and Uninstall gfs-complutum-fonts.noarch Package on Fedora 39

Last updated: November 25,2024

1. Install "gfs-complutum-fonts.noarch" package

Please follow the step by step instructions below to install gfs-complutum-fonts.noarch on Fedora 39

$ sudo dnf update $ sudo dnf install gfs-complutum-fonts.noarch

2. Uninstall "gfs-complutum-fonts.noarch" package

In this section, we are going to explain the necessary steps to uninstall gfs-complutum-fonts.noarch on Fedora 39:

$ sudo dnf remove gfs-complutum-fonts.noarch $ sudo dnf autoremove

3. Information about the gfs-complutum-fonts.noarch package on Fedora 39

Last metadata expiration check: 4:12:52 ago on Thu Mar 7 11:44:58 2024.
Available Packages
Name : gfs-complutum-fonts
Version : 20070413
Release : 43.fc39
Architecture : noarch
Size : 51 k
Source : gfs-complutum-fonts-20070413-43.fc39.src.rpm
Repository : fedora
Summary : GFS Complutum, a 16th century Greek font family
URL : http://www.greekfontsociety-gfs.gr/typefaces/16th_century
License : OFL
Description : The ancient Greek alphabet evolved during the millennium of the Byzantine era
: from majuscule to minuscule form and gradually incorporated a wide array of
: ligatures, flourishes and other decorative nuances which defined its
: extravagant cursive character. Until the late 15th century, typographers who
: had to deal with Greek text avoided emulating this complicated hand; instead
: they would use only the twenty four letters of the alphabet separately, often
: without accents and other diacritics.
:
: A celebrated example is the type cut and cast for the typesetting of the New
: Testament in the so-called Complutensian Polyglot Bible (1512), edited by the
: Greek scholar, Demetrios Doukas. The type was cut by Arnaldo Guillén de Brocar
: and the whole edition was a commission by cardinal Francisco Ximénez, in the
: University of Alcalá (Complutum), Spain. It is one of the best and most
: representative models of this early tradition in Greek typography which was
: revived in the early 20th century by the eminent bibliographer of the British
: Library, Richard Proctor. A font named Otter Greek was cut in 1903 and a book
: was printed using the new type. The original type had no capitals so Proctor
: added his own, which were rather large and ill-fitted. The early death of
: Proctor, the big size of the font and the different aesthetic notions of the
: time were the reasons that Otter Greek was destined to oblivion, as a
: curiosity.
:
: Greek Font Society incorporated Brocar’s famous and distinctive type in the
: commemorative edition of Pindar’s Odes for the Athens Olympics (2004) and the
: type with a new set of capitals, revived digitally by George D. Matthiopoulos,
: is now available for general use.